This Drifting Excrement Was Far Too Meaningful! It's the Television Letdowns of the Past Year.

As we consider the television offerings of the past year, a selection of shows emerge not for their brilliance, but for their notable shortcomings. From cringe-inducing spin-offs to confusingly poor docuseries, here are the programmes that left us scratching our heads or just reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with woeful writing, painful character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to justify its existence. Briefly, as the third season started, it looked like it had finally hit its stride. Then arrived an installment centered on Seema’s natural deodorant. No wonder the creator declared this would be the final series. It ended on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Still, fans undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this show's problems. The recipient of a very rare zero star assessment, it was hard to know where to begin enumerating the flaws. The hilariously leaden writing? The tedious glorification of wealth and consumption? The seemingly deliberate procession of cliches? Acting so poor they felt almost malicious? Let’s just say “each and every one” and forget about this show again. However, a new season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d truly have known it from this multi-part documentary which chuckled along at Sheen’s various bouts of reckless excess while failing to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this series might induce should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Iris Affair

Naturally we knew it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t suffer the embarrassment of having to indulge unconvincing dialects. But there were many other problems. Primarily that it was just profoundly dull; a conflict over drug-selling territory between various cockney rogues which felt a bit basic.

With Love, Meghan

Given the extent to which she grinds the gears of the nation’s performatively angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various forays into quaint homemaking as deliberate statements. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a homeware catalogue come to life; a poster for wine o’clock with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark platitudes and pointless crafting “hacks” you’ll forget instantly. All underpinned by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Rather, the viewing was like consuming a marketing brochure. She obviously has every right to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any helps with this cagey non-event of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a well-known personality managing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to detail what exactly was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of celebrity cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented emerging comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right voice, lumbering from strangely jaunty, slightly stylised farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? No! This globe-trotting thriller about government agencies targeting – and eliminating – intellectuals frankly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator notorious for explicit exploits as she prepared for her most extreme challenge yet. What on earth would motivate her? What we craved was far greater examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who showed up to drag her son out of the queue. What we got was horrific shots and zero interrogation of her infamy whatsoever. And to think, the filmmaker has a teenage daughter too.

Robert Miller
Robert Miller

Mira Chen is a digital strategist and tech enthusiast with a passion for virtual reality and immersive technologies.